Vashon Repertory Theatre’s production understands that the most effective way to make that argument isn’t by overwhelming the audience with theatricality. Directors Charlotte Tiencken and Lisa Peretti keep the storytelling direct, allowing the actors to make something written about constitutional amendments feel distinctly human. In doing so, the production returns repeatedly to the question contained in the title. What the Constitution means isn’t necessarily the same thing to everyone, and perhaps the most important part of the question is continuing to ask it.

Miss Holmes retains the fun of deduction, danger and the familiar Holmes mythology, but its most entertaining element is considerably simpler, putting Skye Campbell and Ila Dreessen, a pair of superb actors, together and allowing them to work. Contrasting personalities, rapid exchanges and genuine chemistry give the mystery its engine, and whenever the two are sparring, investigating or simply trying to understand one another, Kitsap Forest Theater’s production is at its best.

The miracle promised by this tent revival of a show is not some spectacular act. It is recognizing the value in the seemingly ordinary life already within reach. Reboot’s Pippin finds a thoughtful new way into a musical that has been interpreted countless times before, using its tent-revival framework not simply as decoration, but as a lens through which Pippin’s search for meaning becomes newly resonant.